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Emmet Matheson
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Emmet Matheson this record is half the reason I moved to Vancouver in 2006. Favorite track: Slide.
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1.
Down Juan 05:22
DOWN JUAN Don’t let me down Juan I need you tonight I’ve come seeking pathos ‘neath the halogen lights Estrella your mistress has cued the machine  Your niece is in from Austin she’s lost to the scene I, and my party have just settled in Pray happenstance deliver us inviolate From this wasteland of dreams Hammered tin Mexican Jesus Skeletons playing guitar Busts of writers and drunkards  Dust fallen mutes the bazaar There are crosses and candles and swords without handles Plastic camels bear wise men from afar Antlers deer parted souls referenced and carded What are we doing here? Saints caught in acts sacred and deifying In Technicolor prints on the wall Rebels with their moustaches and rifles  Pose solemn for martyrdom’s call There are buckets with nothing but roses that are dieing Banners for causes long withered in the trying  While in the windows the stained glass is quietly crying out What are we doing here? In a cardigan borrowed from Rimbaud He clutches the microphone stand Though his body and mind speak otherwise  His eyes gleam as an eager young child’s There’s a song on his lips, a mid-century tango The speakers turn out a recording he’ll sing to And though nothing here crackles like a thundering review There’s no disputing the fact that we’re here
2.
The Bottoms 04:33
THE BOTTOMS Yesterday’s breakfast has gone hard I’m in my house-coat, I’m out in the yard Ducks south in a V Periscope resting on my knee I’m coming up, up from the bottoms Birds wouldn’t be flyin’ if I hadn’t shot at ‘em She wouldn’t have flown if hadn’t a caught on, held on to her troubles Take me back, take me back, take me back to the bottoms On the lawn  There’s a trial goin’ on Hear ye my son, you’ve been found wanting There’s a plastic watering can someone tipped over Piston without rings without a motor Jet stream the only sign of company Solitudes price watch others fly free So I’m coming up, up from the bottom Let buoyancy surface me, not even tryin’ Revelator’s lines still drawin’ me ashore, keepin’ me afloat On the lawn  There’s a trial goin’ on Hear ye my son, you’ve been found wanting Washed up underwear hung out on the line Soft clap of thunder from time to time You can measure the distance with a metered out rhyme I take my peanuts with chili powder and lime Drifting from meaning to less my crime On the lawn There’s a gavel comin’ down Excuse me daydreamer, you’ve been found wanting.
3.
CONGRESS OF SPRING After the lightning, after the rain After the floorboards have buckled in pain After the shouting, the hullabaloo The clouds now receded that covered the moon The ambulance idles, attendants breath A measure of calm, a degree of relief Then peace, peace, peace, Emily Peace, peace, peace, Emily And the scent of green apples The congress of spring In the rubble he finds her playing cars on the stairs Her barrettes hang like blossoms in her innocent hair Fresh to the world, an invocation of sorts As if this time death had died, no dominion no more While in Vienna, I remember, a palace behind walls  The colour of butter where the rich make their calls You try and discern, you try and weigh in On the past, determine a sentence on events while the violins play for… Then peace, peace, peace, Emily Peace, peace, peace, Emily And the scent of green apples The congress of spring They met in the pasture while the lights were surely down Walked to the hollows and lay on the ground When it was over well then it’d all begun A testament to everything hoped for An epitaph for everything done Peace, peace, peace, Emily And the scent of green apples The congress of spring
4.
Slide 03:04
THE SLIDE As I sit by my window on a warm November day Boys on bmx’s wheel their worries all away On the steps of the tabernacle they’re rolling up a joint They might not remember what they learned today  but what they learned is what’s the point Of relying on hope In this wavering time Relying on a plastic bag instead Trading crime for petty crime With five in your pocket You can always get by You can always paint your name on a concrete wall And let the troubling slide The water mains lay belly up gaping grave at my feet Layers of asphalt now reveal a traveling history of my street That which we don’t want to recognize we slip into the ground If we bury the troubling deep enough we can barely hear the sound Of a whimpering hope In this wavering time To be left in the ditch in a plastic bag Hardly seems an earth shattering crime With five in your pocket You can always get by You can always paint your name on a concrete wall And let the troubling slide Now the sun was uncommonly bright today autumn leaves flakes of gold She pulled one down to reminisce as if she’d suddenly grown old I’d seen her shine on a high-school stage it was Remembrance Day She’d made me remember all that glitters real sunlight on a grinnin’ face And a flicker of hope In this wavering time Believing that the plastic bag we’re speaking of Bears a lesson to be cashed in rhyme With five in your pocket You can always get by You can always paint your name on a concrete wall And let the troubling slide
5.
Little Wind 05:59
A LITTLE WIND Close your eyes, when you’re sittin’ at your window The leaves, the shapes you see still flutter  though now in coloured shadow Open ‘em wide, blossoms fallen to the street below Gutter soft and petal strewn, drift in pink like Miami in a blowin’ snow All the love I have, is a breeze on your tired face Nothing more yet nothing less, whispering cool, a whiff of grace Wherever in the world you go, be it Amman or to Mexico, A little wind picks up consider me there. You’re an anchor girl, you dig in when the wind blows You’re an adamant woman, you hold fast to the truths you know And those that lean on you lean hard, I for one have added  to the strain A spotted pony gallops on, a galleon moored waits with no shade All the love I have, is a breeze on your tired face Nothing more yet nothing less, whispering cool, a whiff of grace Wherever in the world you go, be it Amman or to Mexico, A little wind picks up consider me there The only honest land it’s said, is a desert, I’m tender I wouldn’t  know There nothing pretends little survives what does moves on as  it’s blown Beneath the sheltering sky, you wander lost, attuned to a white and uninvited moon The only constant hand a wind that carves your few words into ruins All the love I have, a caravan in the blistering sun A mystery always on the move, no treasure shared ‘til the  journey’s done Wherever in the world you go, be it Amman or Mexico A little wind picks up consider me there. A station wagon silver blue idles quiet on the street below Suitcase in your hand you step out flyin’ off to Ontario All the love I have, you can ride like an aeroplane An invisible lift, whispering cool a whiff of grace Wherever in the world you go, be it Amman or Mexico A little wind picks up consider me there.
6.
Stettler II 03:03
STETTLER II I believe I’ll ride to Stettler and rest beside your grave Lay my head by your epitaph, the one your husband had made Through that long drive from Saskatchewan as you lay in state I lay on my bedroom floor making plans for being brave Now I live in Vancouver in an upstairs built for two On Sundays I play the Dynamo not far from the high school And I watch the seven herons blue cross the causeway in a line With 45 minutes ‘til the ferry leaves it seems I have the time To play Abide With Me, on the jagged rocks  that break the waters crawl Maybe collect a pebble or two, or driftwood for the wall There’s nothing about this song to make it work for you Except for the fact we keep our memories intact when we put ‘em to a tune ‘Cause all of us we stiffen up when the life in us is gone But the music that escapes our lips, keeps a travelin’ on
7.
CARRY ON HEATHER She left home in an overcoat, married in a storm Laid her first child down, in a bank of drifting snow Carry on Heather, carry on home,  Carry on wondering why the ties that bind have left you all alone Well you carry all the drawings you love, ‘til you carry them no more Settle near a water source lay out your walls and floor Carry on Heather, carry on home,  Carry on wondering why the ties that bind have left you all alone Lifted trusses heavenward draw quarter the sky Foundations stop the easy shift of dirt embrace the lie Carry on Heather, carry on home,  Carry on wondering why the ties that bind have left you all alone With every window pane there comes a darkening shutter With every stray shaft of light a shadow and a mutter Carry on Heather, carry on home,  Carry on wondering why the ties that bind have left you all alone These elastic consequences lose their meaning over time Collapse constrict the heart beat a sort of treason of the mind At night just to let the blood flow loose the throat and let the wine go… Down, down, down Consider now a mantle piece or a transom bearing stone Cross-member with a heavy load now on a pillar left alone Carry on Heather, carry on home,  Carry on wondering why the ties that bind have left you all alone RHAPSODY She said, “I will build us a home, In the back of a converted bus With plenty of windows to let the light in A mansion of rivets and rust Gardenias will be our official flower Whippoorwill our bird We’ll take as our own the songs of Bob, and Whitman as our word As dusk hovers on the hood of our home We’ll raise it plain to the god of comfort and plenty And in the tradition of the great aesthetics Let our rhapsody stand for the many."
8.
Wanderlust 03:28
WANDERLUST Well I want you and I don’t know why It took these fifteen hundred miles just to keep me alive There’s a crack in the windshield the shape of your smile A hole in the cover of your seat that sits idle  And I want you Oh wandering eye I want you all covered in dust It swirls in the car from the toll of the road and the rust Covered in water wash the streaks from your face In smoke as it goes in each crevice a trace And I want you Oh wandering eye I want you on a long narrow flight With a door at the end when opens emits divine light There’s a band in the corner all tremolo and ire When Ellen leans over holy echo the choir And I want you Oh wandering eye Well I want you in my mirror, waving goodbye It turns out the ground that I covered just to get here’s Left me satisfied I’m not saying you didn’t seem fine But the record’ll show I was redeemed by the drive I want you Oh wandering eye Tail lights, street lights have all disappeared Just the moon to guide me out here
9.
Lone Mare 01:38
LONE MARE (lyrics by rc) Lone mare, grey to white Drive a wagon through the heart of the night Cold glare, black and ice Mistakes are taken in the space between lines And the poles they pull me Rolling hills they hold me And the coal it warms me As we catch the other, on the other side Why the shoulders mold me Take and console me Break and unfold me  Leave me by the river to find my own way home (shine my own light) Ripe space, grace that saves Smoulderin’ embers in the proper place Sweetest sin lost not found Pulling down towers on unsteady ground And the poles they pull me Rolling hills they hold me The coal it warms me  As we catch the other, on the other side
10.
BENTLEY TO CLIVE (lyrics by rc) Now we toured around here, from Bentley to Clive I fell asleep during that slow autumn drive I watch all the passing around this honeycomb I’m getting too far from my tiny little home Go to the East and go to the West Get a hold of the love and the harvest Be kind to the land, and take good care That’s what a friend wrote to me over there Now let me ride, but not too long I wanna keep close to my hometown song Go to the East and go to the West Get a hold of the love and the harvest
11.
RED AMBER AMULET The red amber amulet was made to grace her breastbone The moment he spotted it he knew it He said, I’ll pawn my many instruments, a guitar for every sentiment  and revel in the joy of the gift La di  da di da The red amber amulet will never be yours  Take comfort in certainty the blanket of the poor There’s a cracklin’ amplifier and a lopsided moon You get your Mexican Christmas after all Well Rachel the Younger made off with all the idols Between camel and saddle the many gods travel She said, it’s my woman time, I’m in no shape for movin’ The whole order was verging on shifting And the Kandahar woman dangles life from her wrist There’s power in celebrating your limits But when she runs she feels ebullient in knowing her secret Is a well guarded emotion La di  da di da The red amber amulet will never be yours  Take comfort in certainty the blanket of the poor There’s a cracklin’ amplifier and a lopsided moon You get your Mexican Christmas after all So he buys her a sturdy ring two sizes too big Worn often and dubious in origin While the wafer of silver he saves and delivers  In the shape of a slender aeroplane He sings, “Happiness my darlin’ is a lopsided thing That bounces between heaven and trouble And necessity moves us and scarcity pulls It’s a wonder we catch hold of happiness at all La di  da di da The red amber amulet will never be yours  Take comfort in certainty the blanket of the poor There’s a cracklin’ amplifier and a lopsided moon You get your Mexican Christmas after all
12.
ALL THESE MARIAS All these Marias With their laser-brown eyes Elliptical overtures To the tempted and tried If lust be the answer Let all saviors die In the arms of Maria As hosannas rise Now let us speak of survival Of ways and of means Streets littered in children With their incidental needs Like Zola’s coal miners Like rabbits and worms We meet in the pasture Rise from the dirt All these Marias With their laser-brown eyes Elliptical overtures To the tempted and tried If lust be the answer Let all saviors die In the arms of Maria As hosannas rise Pleasure principle paramount In the cafes at night While in the daylight we’re tossing lots O’er the right to survive And who am I to judge As hungers collide Just go on pickin’ up victims Send ‘em back in the night Vignettes of wreckage Have followed me today Pursued by the infirm The halt and the lame Though I am no savior Though lust be a lie In the arms of Maria I bivouac tonight

about

Available for the first time on digital download, 2005's Casa was the album that broke RDY & the tin cup in the UK and the low countries.
A collection of beautifully crafted cinematic classics.
A handful of original pressing CD's are also available.

credits

released June 18, 2021

Musicians of the cup

Chris Rippin - guitar (3,4,7,11), drums (1,4,7,8,10), voice (1,5,6),
Rhodes (10)
Shaun Brodie - horns (1,6,7,10,11,12)
Mark Beaty - double bass (1,2,3,5,8,9,11,12)
Tim Gerwing - hand drums (1,2,3,5,9,11,12)
Kori Miyanishi - banjo (2,5,7,11)
Super Robertson - electric bass (4,6,7,10)
Samantha Parton - voice (5,8), mandolin (5)
Rebecca Till - voice (7,11)
Mary Cleaver - voice (4)
R.C. Clark - voice (10)
Emily Slanina - voice (3)
Debra Stern - piano (8)
Lara Farcasan - piano (4)
Airun Cousins - electric guitar (6)
Styx Von Fonz - drums (6)
Roger Dean Young - the rest

All songs written by Roger Dean Young,
9 & 10 with words by RC Clark
while Trio Montana and then Strauss drift by for a spell

Produced by RDY & Bryan Seely

Some beds were laid by Brodie Smith
while Billy abetted in Chinatown, the rest of Casa was:
Recorded by Bryan Seely @ Flatblack
Mixed by Brodie Smith @ the Smilin’ Buddha
Mastered by Graemme Brown @ Zen Mastering

Design by Rick Clark
Art by Daniel Brodie
A horse photo by S. Parton & a found slide by C. Rippin

Thank-you to all delightful friends and family,
To Anne & Tanya for patience and sustenance
To Tom Bridgewater & Loose Music & all at Copperspine Records

For Miriam Young

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Roger Dean Young & the Tin Sea Victoria, British Columbia

Roger Dean Young is a singer-songwriter sprung from the foothills of Alberta and deposited on the West Coast of British Columbia.

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